Bach Bibliography Search Result

Series : ^HarvardPubM$
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Keyboard Music from the Andreas Bach Book and the Möller Manuscript.	HarvardPubM	16		1991	xlvii, 210p
	2.	The German Eighteenth Century: Marking Time.	HarvardPubM	22		2008	3-15
	3.	Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy.	HarvardPubM	22		2008	17-40
	4.	Mishmash or Synthesis? On the Psychagogic Form of The Creation.	HarvardPubM	22		2008	41-78
	5.	Six of One: The Opus Concept in the Eighteenth Century.	HarvardPubM	22		2008	79-107
	6.	Bach's Passions and the Textures of Time.	HarvardPubM	22		2008	111-120
	7.	Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179.	HarvardPubM	22		2008	121-143
	8.	Tartini and his Texts.	HarvardPubM	22		2008	145-186
	9.	The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5.	HarvardPubM	22		2008	189-205
	10.	Bach and Mozart: From the Perspective of Different Documentary Evidence.	HarvardPubM	22		2008	207-216
	11.	On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches.	HarvardPubM	22		2008	217-238
	12.	One More Time: Mozart and his Cadenzas.	HarvardPubM	22		2008	239-249
	13.	On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart.	HarvardPubM	22		2008	253-278
	14.	Eighteenth-Century Music as a Socio-Political Metaphor?	HarvardPubM	22		2008	279-296
	15.	The Century of Handel and Haydn.	HarvardPubM	22		2008	297-315
	16.	Mozart's Fantasy, Haydn's Caprice: What's in a Name?	HarvardPubM	22		2008	317-341
	17.	The Clavier Speaks.	HarvardPubM	22		2008	345-370
	18.	Ten Years of Bach Cantatas.	HarvardPubM	22		2008	371-377
	19.	Mozart's Working Methods in the Keyboard Concertos.	HarvardPubM	22		2008	379-406
	20.	The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff.	HarvardPubM	22		2008	xii, 427p